About the Maker

How It Started

It began with a taster session at a local pottery studio - just something to try on a rainy Saturday. But the moment the clay started moving under my hands, something clicked. That weekend hobby quickly became an obsession, then a practice, and eventually a way of life.

I spent months learning the wheel, ruining bowls, and slowly getting better. Every failed piece taught me something about patience, about letting go of perfection, and about the beauty of things that are a little bit imperfect.

Folded Vase holding dried flowers, lifestyle
Ramen Bowl greenware on potter's wheel, in process
Greenware - the moment a piece exists in clay before its first firing.

The Studio

My studio is small - a converted shed at the bottom of the garden. There is a wheel, a kiln, shelves of drying pots, and bags of clay stacked against the wall. It is not glamorous, but it is where everything happens.

I work with stoneware clay, mostly. It is forgiving, sturdy, and fires to a beautiful warm tone. Each piece is thrown on the wheel, trimmed by hand, bisque-fired, glazed, and then fired again at high temperature. The whole process takes about two weeks from start to finish.

Small Sconce mounted on wall, wide view, in situ

Every Piece Is Unique

I do not use moulds or templates. Every mug, bowl, and vase is thrown individually on the wheel, so no two pieces are ever exactly the same. The slight variations in shape, the way the glaze pools and breaks - these are the marks of something made by hand.

I believe the things we use every day should have character. A mug you reach for first every morning. A bowl that feels right in your hands. That is what I am trying to make.

Wind Chime hanging outdoors, lifestyle

See What's Available

Each piece is one of a kind. Once it is gone, it is gone.

Browse the Collection